The confronting (far-reaching) nature of discoveries is due to their innate capacity to question an individual's preconceived ideologies. and expectations, ultimately prompting transformative personal and intellectual introspection. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”?Get the original essay William Shakespeare's 5-act tragicomedy, The Tempest (1611), depicts an individual's reevaluation of his relationships with others when faced with ethical dilemmas that prove emotionally and intellectually challenging. It is this provocative and far-reaching discovery that has the capacity to overturn an individual's belief systems about themselves and the world at large. Similarly, John Cheever's 1953 short story "The Enormous Radio" explores how sudden, conflicting discoveries can cause an individual's emotional and intellectual transformation, but then shows the negative impacts that can hinder relationships. Therefore, both texts simultaneously have the capacity to address the transformative impact of the discoveries on individuals. The findings can simulate an individual's reevaluation of previous values ​​to ultimately evoke their transformative perspectives on themselves and their relationships with others. In The Tempest, Miranda undergoes a moving discovery when she learns “how beautiful humanity is!” O the brave new world that shelters such people. » The use of emotive language depicts Miranda's puzzlement and excitement, while exclamatory language foreshadows her unexpected discovery of new people. Furthermore, her naivety is demonstrated through the positive imagery of Ferdinand as "a divine thing, for nothing she had never seen so noble", emphasizing her fresh and intensely significant discovery of the world at large. Prospero is suspicious of the sincerity of Miranda and Ferdinand's love and metaphorically refers to Ferdinand as a “poor worm, you are infected; this visit shows it.” His sudden realization that their love is genuine evokes his emotional discovery as he is “so happy about this that I cannot be, who are surprised by everything; but my joy in nothing can be more…”, as evidenced by the emotive language. Prospero summons magical spirits into the betrothal mask to celebrate their love and its ability to overcome evil and despair. Thus, the awakening of Miranda's sexuality with the sudden discovery of men beyond her father is juxtaposed with Prospero's emotional and personal transformation of love's power to unite and reconcile as he understands the importance of relationships with others. Sudden and unexpected discoveries may be necessary for an individual's transformative personal and intellectual perspective on themselves and the world at large. In The Tempest, Prospero's inability to free himself from his own greed for power is suddenly challenged by Ariel, ultimately prompting an intellectual discovery of the importance of acceptance and forgiveness. This is demonstrated in the opening act, in which the use of a pathetic fallacy of the eponymous storm, a storm conjured by Prospero, is symbolically indicative of his physical manifestation of anger against those who have usurped his throne, in especially his “perfidious brother” Antonio. Prospero uses magic as a theatrical ploy to “bring… enemies to this shore,” ultimately demonstrating his imperative desire to take revenge on those who usurped his dukedom. In addition, the..