The museum I visited for this research study was the Metropolitan Museum. The exhibition I chose to see for this study was “Epic Abstraction: Pollock to Herrera,” an ongoing exhibition that opened on December 17, 2018. The exhibition was on the second floor of the museum located in the Lila Acheson Wallace wing, taking positions in galleries 917-925. The main aim of the exhibition was to present abstract art in a better and new way that would delight viewers and art lovers. The exhibition therefore contained large paintings surrounded by thin frames, while other canvases lacked frames. The paintings featured in the exhibition were from key abstract artists such as Jackson Pollock, Willen de Kooning, Motherwell, Mark Rothko and Cy Twombly. From my point of view, I think the Met succeeded in presenting the collection of these artists in an exciting and better way. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an Original Essay The first work of art I saw in one of the exhibition halls was one created by Jackson Pollock. Jackson painted Pasiphae in 1943. As I looked closely at this work, I noticed that it had many figurative elements, but the most prominent element is the standing figure in the right periphery of the canvas. This work by Pollock indicates his expressionist ideas which were greatly influenced by Kandinsky, Picasso and Klee. Pasiphaé's painting is oil on canvas. In the same exhibition room was a huge painting of Autumn Rhythm created by the same artist, Jackson Pollock. Pollock completed this work in October 1950. This painting is a non-representational image composed of diluted paint applied to an unprimed, unstretched canvas that was laid flat on the floor instead of being pinned to the easel. The size of the painting is 207 inches wide and it used environmental scale to wrap both sides to create a sense of visual rhythmic dynamics of buoyancy. The exhibition also featured paintings by Mark Rothko, including the painting Color Field. There were two untitled watercolors created between 1944 and 1946, all deeply moving. Another work of art I noticed in the exhibition was Elizabeth Murray's painting, Terrifying Terrain, made between 1989 and 19190. This work has been described as an oil on shaped canvas. Other works of art were those of Mrs. N's Palace by Louis Nevelson, created from painted wood and mirror, an op-art that Kenneth Noland made in 1961 called October, and the work Equilibrio by Carmen Herrera that he made in 2012. The works of Jackson Pollock's art was exquisite. and composites, and they excited me more than the other pieces even though they were all unique. The painting of Pasiphaé is particularly remarkable. The image boasted firm composite structures that had integrated white central beasts flanked on either side by two figures that stood sentinel in a sedate manner. Pollock created these figures in an enigmatic and composite manner, reminiscent of medieval sculptures of tribal people. With the paint's tangled brushstrokes and flourishes, Pollock was describing a specific interpretation of automatism, which is a surrealist technique that an artist uses to relinquish conscious control of the brush when creating a work of art. art. Most likely, Jackson began by painting the outline of the figures, then applied thin wash colors and continued to cover with opaque strips which he applied with increased force.1 (2017); 27-60.