Timothy Treadwell lived unarmed among the bears for thirteen summers and recorded his experiences in the wild during his last five seasons. In October 2003, Treadwell's remains were found near their campsite in Alaska's Katmai National Park and Preserve, alongside his better half, Amie Huguenard. By using solidarity, surface area and succession as visual elements of the film, the leader further strengthens his argument. Using the sentiment of the explanatory part, Herzog viably shows Treadwell's enthusiasm for working with the bears and gives a strong statement recognizing the work he has done. The visual components, solidarity, surface and succession, play a revolutionary role in Herzog's film since they undoubtedly define Treadwell's intentions. From the film, I learned Herzog's main lesson; While Treadwell's adoration of the creatures is laudable, when he failed to see the threat, he placed himself in a situation that would inevitably foreshadow his demise. Say no to plagiarism. Get a custom essay on “Why Violent Video Games Should Not Be Banned”?Get an original essay Throughout his life, Treadwell was always very interested in bears. When interviewing Treadwell's parents in the film, his parents explained how he built a relationship with his mother dependent on their shared love of creatures. They explained how Treadwell struggled throughout his studies for a considerable period of time, and his affinity for the camera showed when he moved to Hollywood and appeared as a challenger on Love Connection. He later found himself in broken relationships and drank heavily and developed an enthusiasm for grizzly bears. For more than 12 years, he recorded grizzly bears and his communications with them near Katmai National Park in Alaska. He traveled to many elementary and high schools to share his encounters and learn about grizzly bears, became an advocate for grizzly bear preservation, and founded the nonprofit Grizzly People. Treadwell never sufficiently understood that this unbalanced subject-object relationship would never work backwards: the grizzly bears would never end up like him. Furthermore, Herzog is careful not to exhaust the subject of his own story. While aware of the perils, Treadwell attributed human characteristics to the bears and sought a supernatural connection with them, but this "connection" ultimately overturned his thoughts about the real world. The film was just an investigation into Treadwell's character. Treadwell is uncorrupt and has a risky enthusiasm for bears that borders on his insanity, and Herzog focuses on that angle. Herzog develops the film cautiously in an effort to show the reality of Treadwell's enthusiasm, and to see as it strays further and further from rational merit. The film never romanticized Treadwell or sentimentalized nature, even though those are ultimately two of the simplest activities. Rather, Herzog uses Treadwell's narrative and crafts a story that focuses away from the possibility of concordance in nature, toward the tumult of the universe. In one specific scene, Herzog inserts himself directly through the performance to draw attention to the fact that he cannot help but contradict Treadwell in his belief that nature is pleasant. Keep in mind: this is just a sample. Get a personalized paper now from our expert writers. Treadwell's experiments among his dearest grizzly bears were also a kind of execution, based on lies and.