The Dependence of Happiness on Marriage and Status in Persuasion Elizabeth Faces the "Years of Danger" evokes an era in which marriage and status were ultimately the cornerstones of a successful life, and explores the oversights of the superficial group to which Sir Walter and Elizabeth belong and aspire to times, highlighting Elizabeth's successive failures to be 'properly solicited by the blood of baronets' despite her ability to remain 'flourishing'. One of the central ideas of the novel is that marriage and happiness do not necessarily depend on superficial appearances or specific, practical merits, but rather on an indescribable connection that is anything but rational and thoughtful. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay While Sir Walter indulgently pontificates about his and Elizabeth's resistance to becoming part of "the wreckage of everyone else's beauty," Elizabeth and her fulfillment are separated by a metaphorical chasm from the " rude" Mary and the "haggard" Anne whose brutal physical descriptions evoke a sense of disappointment on Sir Walter's part, emphasizing the vanity that underlies his character, such as his reluctance to associate even with his own daughters which do not reflect one's own aesthetic values are highlighted. Sir Walter takes pleasure in his and Elizabeth's resilience and her enduring ability to lose "almost all charm" while "all the faces in the neighborhood" deteriorate, creating an additional layer to Sir Walter's pride, as both are separated from the hoi polloi who are in turmoil. by a decline in beauty. Here it is evident that only Elizabeth meets Sir Walter's exacting physical standards, and so he can be excused for "forgetting her age" as she reflects the unattainable level of aesthetics he demands, although she is more older than her two other daughters, whose “flowers” had a much shorter longevity than Elizabeth’s. Elizabeth is depicted as a requisitioned and self-contained character, having been mistress of a prestigious country house for "thirteen years", the specificity of this period reflecting exactly the close and astute way in which she had "presided" and "ruled" with the “self-control” that such a position requires. The feeling of movement created around Elizabeth is important because it gives her many qualities. As she "leads the way for the chair and the four", her importance and high societal status are conveyed as she has the power to lead others. This dynamic and efficient air, as well as the weight of her speech and her social power, are perpetuated by the idea that she socializes widely, attending "every credit ball" and adorning "all the drawing rooms and dining rooms of the country ". Elizabeth is given additional credibility by “walking immediately after Lady Russell,” who is already known to be a woman “of strict integrity…with a delicate sense of honor.” As Elizabeth follows in Lady Russell's footsteps, she reveals herself to be a person with a great connection to title and status, and who associates with people of a high class, both socially and morally. Austen implies that Elizabeth is well versed in these functions. by her way of manipulating time, Elizabeth having commanded the house for “thirteen years”. The specific time frame since Elizabeth's transition from maiden to mistress and potential wife is repeated four times over as many pages, which helps to foster a sense of bitterness on Elizabeth's part, and the.

Essay / The Dependence of Happiness on Marriage and Status in Persuasion Elizabeth Faces the "Years of Danger" evokes an era in which marriage and status were ultimately the cornerstones of a successful life, and explores the oversights of the superficial group to which Sir Walter and Elizabeth belong and aspire to times, highlighting Elizabeth's successive failures to be 'properly solicited by the blood of baronets' despite her ability to remain 'flourishing'. One of the central ideas of the novel is that marriage and happiness do not necessarily depend on superficial appearances or specific, practical merits, but rather on an indescribable connection that is anything but rational and thoughtful. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay While Sir Walter indulgently pontificates about his and Elizabeth's resistance to becoming part of "the wreckage of everyone else's beauty," Elizabeth and her fulfillment are separated by a metaphorical chasm from the " rude" Mary and the "haggard" Anne whose brutal physical descriptions evoke a sense of disappointment on Sir Walter's part, emphasizing the vanity that underlies his character, such as his reluctance to associate even with his own daughters which do not reflect one's own aesthetic values are highlighted. Sir Walter takes pleasure in his and Elizabeth's resilience and her enduring ability to lose "almost all charm" while "all the faces in the neighborhood" deteriorate, creating an additional layer to Sir Walter's pride, as both are separated from the hoi polloi who are in turmoil. by a decline in beauty. Here it is evident that only Elizabeth meets Sir Walter's exacting physical standards, and so he can be excused for "forgetting her age" as she reflects the unattainable level of aesthetics he demands, although she is more older than her two other daughters, whose “flowers” had a much shorter longevity than Elizabeth’s. Elizabeth is depicted as a requisitioned and self-contained character, having been mistress of a prestigious country house for "thirteen years", the specificity of this period reflecting exactly the close and astute way in which she had "presided" and "ruled" with the “self-control” that such a position requires. The feeling of movement created around Elizabeth is important because it gives her many qualities. As she "leads the way for the chair and the four", her importance and high societal status are conveyed as she has the power to lead others. This dynamic and efficient air, as well as the weight of her speech and her social power, are perpetuated by the idea that she socializes widely, attending "every credit ball" and adorning "all the drawing rooms and dining rooms of the country ". Elizabeth is given additional credibility by “walking immediately after Lady Russell,” who is already known to be a woman “of strict integrity…with a delicate sense of honor.” As Elizabeth follows in Lady Russell's footsteps, she reveals herself to be a person with a great connection to title and status, and who associates with people of a high class, both socially and morally. Austen implies that Elizabeth is well versed in these functions. by her way of manipulating time, Elizabeth having commanded the house for “thirteen years”. The specific time frame since Elizabeth's transition from maiden to mistress and potential wife is repeated four times over as many pages, which helps to foster a sense of bitterness on Elizabeth's part, and the.

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