An artistic style that is unlike any other. An artistic style that influenced others for generations to come. It was the path to defining art movements of the century, such as surrealism, abstract expressionism, and pop art. It also paved the way for similar movements in music and literature. The innovative movement aimed to establish a new order in the world of painting and sculpture, completely different from any style or technique that had existed until then. Cubism was perhaps the most influential art movement of the 20th century because it led to the exploration of more abstract concepts and philosophies; abstraction was a key element of 20th century art. Despite its influence, Cubism was influenced by ancient art movements and the need to move forward. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Cubism didn't appear out of nowhere, there was a reason why it appeared. A reason why Picasso and Braque strived to find something new. They felt the need to broaden their perspective, to expand the possibilities of art in the same way that the rise of new technologies expanded the possibilities of society. The world was changing radically, the rhythm of life and the way society perceived the nature of time, everything was changing. Society is now constantly evolving with new scientific discoveries, technological advancements and mobility. The horizons of society are expanding more and more. The dilemma facing the modern artist was simple; how to describe the dynamic lifestyle of the contemporary world. Specifically for painters, the problem of how to capture not only the fleeting moment, but also how to capture the current. This led Picasso to reject the inherited concept that art should copy nature or adopt traditional techniques of perspective, modeling and foreshortening. Pablo Picasso's first Cubist painting, Les Demoiselles d'Avignon, had broken all the traditional rules that artists had followed, especially one that defined art as imitation rather than creation. Picasso had abandoned all concepts of perspective and proportion, concepts religiously practiced since the Renaissance. What Picasso did instead was depict objects as a combination of many different views to create the illusion of painting from multiple perspectives at the same time. With his revolutionary idea, Picasso created a new concept for future artists: the freedom to create rather than imitate. Picasso believed that perspective was an obstacle to progress. Drawing only from one point of view would limit the options. As the painting was created from a fixed point of view, the result was frozen, captured in time. Photography could produce the same effect, in less time and at lower cost. The values ​​of traditional painting were being challenged by new emerging technologies. Picasso thought that painting also had to evolve, that it had to go beyond the constraints of perspective and proportions. Art had to go beyond the realistic representation of objects. What he wanted to show was the process of seeing, and to do this he composed a mixture of several different simultaneous views of the objects to be visualized in a single moment. This is a key characteristic of Cubist art: the attempt to show all six sides of a cube at the same time. Picasso was also largely influenced by African tribal art. He.