Although August Wilson's Fences does not show the degree of senseless violence projected in King Hedley II, both illustrate the harsh circumstances of African-American communities in the 1950s and 1980s, respectively. Wilson draws contrasts between his characters in these plays, such as King's criminality and Cory's inability to escape Troy, to emphasize the troubling regression of their environments. The author uses these characters to emphasize a feeling of inability to escape, as if to say that there was almost no choice but for King to die from a bullet and for Cory to run away. . Although Cory appears to be significantly better off than King at the end of their respective plays, they each succumb to the limitations imposed by society due to their efforts to escape them. Say no to plagiarism. Get a custom essay on “Why Violent Video Games Should Not Be Banned”?Get the original essay As King openly deliberates about society's refusal to let him grow up, Cory's family is unable to recognize that fleeing Troy did not free him from sadness. the destiny that Wilson illustrates in African-American communities. Although King does not understand his protectiveness over his seeds or why he feels restricted by society, Wilson uses his open frustration and carelessness to address the importance of its restrictions. King doesn't know why Ruby is complaining about how dirty he is, but it reminds him of the other times people told him, in one way or another, that he wasn't good enough. King cannot become better than society's perception of him due to his bias towards his race, but by repeatedly breaking the law, he unwittingly proves that their unfair opinions are correct. Ironically, King and Cory find themselves limited by society and try to escape it, which leads them to do exactly what is expected of them. While Cory flees his physical obstacle, namely Troy, King conforms to the harshness of his environment. Unlike King in King Hedley II, the characters in Fences do not realize that society has prevented Cory from growing up freely. Although his mother and Bono seem impressed by his reasonable triumph, becoming a corporal in the Marines in the time he has had to advance is not as great a feat as it seems. It is important to note that Cory's work at the end of his play is rightfully much more respected and noble than King's illegal scam, because Cory is clearly the more reasonable character. However, the man Cory is when he returns doesn't match the personality and dreams he had when he left. He comes back as someone other than himself, an inevitable product of society, rather than the enthusiastic boy who wanted to play football. Wearing his country's uniform also suggests that he now obeys their rules and symbolically represents his conformity because society, whether it likes it or not, has changed the young man. Although both characters value the bond they share with their family, Wilson uses King's inability to reach the same level of mature understanding as Cory to explain King's irrational fixation on father figures. Wilson makes it clear that King rationalizes Pernell's senseless murder through the mission he sets out to make sense of his scar. In this sense, Cory, although younger, exhibits a clearer ability to distinguish right from wrong, which would make sense given that he does well in school and is sought after for college football. However imperfect King's idea of ​​meaning may be, it constitutes a.