In Krik? Krak! Edwidge Danticat develops the difficult role that women must play in a corrupt Haitian society. She describes some of these requirements through the different transformations of the story “The Missing Peace”. With this important text, Danticat indicates that maturity and sexuality are not identical and that personal development is linked to learning to manage loss and learning to put society and one's own place into perspective. in this one. Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”? Get the original essay Émilie comes as a tourist to Ville Rose in search of her lost mother. But his research mainly aims to confirm the death of his mother, to take a step into reality and to begin the grieving process. She feels disconnected from her mother and does not want her to leave because she tells Lamort: "'I see my mother sinking into a river, and she keeps calling me by my name'" ( 116). Emilie cannot save her mother even if she calls Emilie for help, and Emilie feels useless. To try to reach her mother and try to save her, Emilie goes to the cemetery. Even though she already knows the result, she cannot fully accept it. That night, after painfully watching soldiers drag a dead man to the ground, she knows she cannot physically reach her mother. Instead, Emilie works on her mother's quilt, which helps her internally with her mother, and she says, "'I lost my mother and all my other dreams'" (121). Although this saddens Emilie, because she knows she will never find her mother, she also accepts her mother's death. Lamort helps Emilie overcome her grief by acting as a temporary mother to her. During their first conversation, Lamort repeats to Emilie some wise comments that her grandmother told her earlier. Additionally, Emilie feels an instant connection when she tells Lamort that she looks like a journalist. Later, Emilie mentions that her mother was also a journalist. This connection strengthens between them, and later Emilie asks Lamort to stay with her for the night. Lamort agrees, “because I know you are afraid” (121). Lamort knows that Emilie is afraid of sleeping without her mother in her dreams, so she replaces Emilie's mother to help her transition from losing her mother. Although Lamort transforms into a mother, she does not fully feel like one until she changes her name. . Literally, Lamort means “the dead” in French. His grandmother does not give Lamort his mother's name, Marie-Madeleine, because she blames Lamort for the death. Lamort doesn't care much about her name because she thinks her grandmother makes all the decisions. Once she acts like a mother to Emilie and gets her to accept death, she feels ready to live with that name. So, after returning home, she addresses her grandmother: "'I want you to call me by Mary Magdalene.' I liked the sound of that” (122). She is happy with her name and also feels more connected to her mother. Her grandmother looks "pained" to call Lamort by her precious daughter's name, but she also knows that she must let go and satisfy Lamort (122). In this way, Lamort helps his grandmother, like Emilie, to accept the death of her daughter. Lamort changes her name and acts like a mother mainly because she truly transforms into a woman. At the beginning of the story, Raymond says to Lamort: "'I know I can make you feel like a woman'" (103). Like other men in the book, he mistakenly believes that a girl becomes a woman when she has sex. He puts more pressure on Lamort and asks him: “So.