Not everyone wants someone to love you, to care for you as much as you care for them. Someone who will keep you company in times of loneliness or who will act as if your brain is tuned to the same wavelength. Share an inseparable bond and grow old with it. Love is a very powerful emotion and can be misused because it is thrown around too casually and gets carried away very quickly as Viola is with Orsino when she says, "Your tongue, your face, your limbs, your actions and your mind, do. give yourself a quintuple coat of arms: not too quickly: sweet, sweet! Unless the master is the man. How now! Even so quickly, can you catch the plague? (1.5.48). Love can be many things; confusing, happy and painful. Love is not always simple; lust and love are usually mixed. It is not always full of joy, it can hurt when love is not returned, like in William Shakespeare's play Twelfth Night, it expresses that love can be painful because the characters in the piece feel like love is a curse imposed on them. He does this using imagery with the ocean as a metaphor for life, symbolism with clothing and gender change, and dramatic irony with everyone falling in love with the facades. The ocean seems endless when you look at it, just like you feel when you are in love. William Shakespeare uses imagery to explain the vastness of the ocean. It describes how the ocean is mystical and full of power and hope. In the novel, Viola and Sebastian are shipwrecked and she later hopes that her brother is still alive when she is mistaken for Sebastian, proving that the ocean is full of unknown magic. “He named Sebastian. I, my brother, know that I live in my glass; even so and so was my brother in favor, and he always went that way, color, gold...... middle of paper ......der Trouble in Twelfth Night. " Theater Journal 49.2 (1997): 121-141. MUSE Project. February 24, 2014. .4. Thad Jenkins Logan. Studies in English Literature, 1500-1900, Vol. 22, No. 2, Elizabethan and Jacobean Drama (Spring 1982 ), pp. 223-2385. CO GARDNER: A Journal of Social and Political Theory, n° 21 (1963), p.416. ), pp. 500-5157. Studies in English Literature, 1500-1900, Vol. No. 1 (Spring 1990), pp. Milton Crane, Vol. 6, No. 1 (Winter, 1955), pp. King Studies, 1500-1900, Vol. and Jacobean (spring 1968), pp.. 283-306

Essay / Not everyone wants someone to love you, to care for you as much as you care for them. Someone who will keep you company in times of loneliness or who will act as if your brain is tuned to the same wavelength. Share an inseparable bond and grow old with it. Love is a very powerful emotion and can be misused because it is thrown around too casually and gets carried away very quickly as Viola is with Orsino when she says, "Your tongue, your face, your limbs, your actions and your mind, do. give yourself a quintuple coat of arms: not too quickly: sweet, sweet! Unless the master is the man. How now! Even so quickly, can you catch the plague? (1.5.48). Love can be many things; confusing, happy and painful. Love is not always simple; lust and love are usually mixed. It is not always full of joy, it can hurt when love is not returned, like in William Shakespeare's play Twelfth Night, it expresses that love can be painful because the characters in the piece feel like love is a curse imposed on them. He does this using imagery with the ocean as a metaphor for life, symbolism with clothing and gender change, and dramatic irony with everyone falling in love with the facades. The ocean seems endless when you look at it, just like you feel when you are in love. William Shakespeare uses imagery to explain the vastness of the ocean. It describes how the ocean is mystical and full of power and hope. In the novel, Viola and Sebastian are shipwrecked and she later hopes that her brother is still alive when she is mistaken for Sebastian, proving that the ocean is full of unknown magic. “He named Sebastian. I, my brother, know that I live in my glass; even so and so was my brother in favor, and he always went that way, color, gold...... middle of paper ......der Trouble in Twelfth Night. " Theater Journal 49.2 (1997): 121-141. MUSE Project. February 24, 2014. .4. Thad Jenkins Logan. Studies in English Literature, 1500-1900, Vol. 22, No. 2, Elizabethan and Jacobean Drama (Spring 1982 ), pp. 223-2385. CO GARDNER: A Journal of Social and Political Theory, n° 21 (1963), p.416. ), pp. 500-5157. Studies in English Literature, 1500-1900, Vol. No. 1 (Spring 1990), pp. Milton Crane, Vol. 6, No. 1 (Winter, 1955), pp. King Studies, 1500-1900, Vol. and Jacobean (spring 1968), pp.. 283-306

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