Despite a conservative society, Pakistan has never been devoid of fashion since its inception. Each era has brought its own unique styles and designs, suited to that era, for both women and men. But this style and designs only revolve around the traditional dress, shalwar kameez with dupatta for women and just shalwar kameez for men. Fashion designers do not have enough space to make many variations with the conventional pair of shalwar kameez. So the limitation is that they have to stick to a certain shape and clothing profile depending on the taste of the customers. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Fashion in Pakistan can simply be attributed to one example, that of being heavily influenced by the Mughal courts in the subcontinental era. Speaking of the 1800s-1900s, ivory and silver thread dresses were spun, paired with Salim Shahi shoes named after Queen Nur Jehan's husband. As the region later came under the influence of the British, the Mughals and the British Empire were the biggest influences on fashion in this region. While the men sported minimal tailoring, slender trousers with classic trench coats, the women were busy weaving zardosi thread on a cropped, mid-riff-baring top with a voluminous ankle-length ghagra choli, which whispered the ethnic sophistication of women of Rajistan and Gujrati of 1872. Later this outfit was also sported by the notable Fatima Jinnah. For the longest time, Pakistani fashion was dominated by ornaments that embodied ethnic glamour. The Angrakhaas worn by the men of Rajisthan during the festivities have made their way into the women's wardrobe, teamed with Kundan accessories and mathapatti in quirky colors. Hand-embroidered kotis, duchess patterned bodices with delicate kamdani threads and kaleidoscopic crochet were also in vogue. In many ways, however, Pakistani fashion and the exponential growth of its industry cannot be viewed in isolation from political unrest and upheaval. Over the years, under different governments, fashion has proven to be a form of escapism for the masses. Pakistani cinema was at its peak in the sixties, and the masses appreciated bodices and tunics patterned with shamrocks and roses covered in sequins. There was also a varied trend of cropped shirts with poppy accents paired with choridaars and heels. With time, Pakistan has made an interesting 360 degree turn in fashion. There was a sudden boom and bomb makers like Sehyr Saigol, Maheen Khan, Bunto Kazmi, Faiza Samee, Nilofer Shahid, Rizwan Beyg, Shamaeel Ansari, Sana Safinaz, Amir Adnan and Body Focus Museum took center stage. stage with their tailor-made creations and exuberant silhouettes. That's when art seeped into the sheer layers of a floor-length dress that riffed romantically as you walked. Elaborate headpieces, dramatic puffy versions, and intricate glass corsages were used to depict poetic rawness and oppressed emotions. But alongside this, there was also a rise in trousseaus in rich gemstone colors, which rumbled with sensuality while retaining an aura of heritage. It was also at this time that men heavily influenced by the British abandoned pants for national costume. This revolutionized men's fashion in the Pakistani fashion industry. And to,.