Andrew Lloyd Webber was born in Kensington, London, the eldest child of William Lloyd Webber, his father a composer and organist, and his mother Jean Hermione Johnstone, a violinist and pianist. His younger brother Julian Lloyd Webber is also a noted solo cellist. Webber began writing music at a very young age, at the age of nine. He also put on "plays" with Julian and his aunt in a toy theater he built for himself after his aunt Viola gave him the idea. His aunt was an actress and took him to see many of her shows. He had also contributed music to Old Possum's Book of Practical Cats at the age of 15. In 1965 Lloyd was a Queen's Scholar at Westminster School and he studied history for a time at Magdalen College, although he left the course in 1965 to study at the Royal College of Music and pursue his interest in music and music. theater. Say no to plagiarism. Get a tailor-made essay on "Why violent video games should not be banned"? Get an original essay At 17, he was a promising musical theater composer and was later introduced to pop music songwriter 20 year old Tim Rice. in 1965. The first came crashing down in The Likes of Us, a musical based on the true story of a man named Thomas John Barnardo. They produced a cassette of their work in 1966, but the project gained no support. Although composed in 1965, The Likes of Us was not publicly performed until 2005, when a production was presented at Webber's Sydmonton Festival. In 2008, the rights were released by NODA in association with other groups. The first performance was given by children from a children's theater troupe called Kidz R Us. The musical is similar to the Broadway musical of the 1940s and 1950s; it opens with a medley of music from the original show and the score resembles some of Lloyd Webber's early inspirations, such as Richard Rodgers, Frederick Loewe and Lionel Bart. In this area it differs from the composer's later works, which can tend to be predominantly composed and closer to opera than a Broadway musical. In the summer of 1967, Alan Doggett, a Webber family friend who had helped work on The Likes of Us and who had been a music teacher at a London school for several years, asked Lloyd Webber and Rice to help him write music for the school choir. Doggett requested something like a pop cantata or in the sense and similar to The Daniel Jazz by Herbert Chappell, created in 1963, and also Jonah Man Jazz by Michael Hurd created a few years later in 1966, both of which had been published by Novello and were both based on the Old Testament of the Bible. The request for the new music came with a hundred dollar advance from Novello to begin work on it immediately. This came with the result of the musical Joseph and the Amazing Technicolor Dreamcoat, a version of the biblical story about Joseph. Lloyd Webber and Rice created a fun number of styles of pop music, like Elvis rock'n'roll. With calypso and country music. The musical became even more famous when it was reviewed by the Times Magazine for its impressive performance. Webber and Rice edited the performance and added new music to extend the show. More so, the expansion eventually happened into a musical and after that a two-hour production began to be staged in the West End theater in 1973 after the huge success of the musical Jesus Christ Superstar. Rice and Lloyd Webber wrote a song in 1969 for the contestEurovision song called "Try It and See", which did not win. After the lyrics were rewritten, the third music they modeled, Jesus Christ Superstar, which they completed in 1970, was called "King Herod's Song". The original plan was to follow up Jesus Christ Superstar with a musical based on Jeeves and Wooster. books by PG Wodehouse writers. Tim Rice wasn't sure, however, mainly because he feared he wouldn't be able to do justice to the books that he and Webber loved so much. After he began working on the song's lyrics, he left the project and Webber subsequently wrote the musical with a man named Alan Ayckbourn, who contributed the book and lyrics. It made no impact at the box office and closed after a short run of three weeks. A few years later, Lloyd Webber and Ayckbourn returned to this project, making a completely redone and much more successful version, partially created by Jeeves in 1996. Only two of the songs from the main product which were "Half a Moment" and also "Banjo Boy". Webber collaborated with Rice again to write the musical Evita in London in 1993 and later in the United States the musical was based on the life story of Eva Perón. As with Jesus Christ Superstar, Evita was soon released as a music album in 1976 and featured the vocal talents of a woman named Julie Covington who sang the role of Eva Perón. In the song Don't Cry for Me Argentina, she rose to fame when the song became a hit single and the musical was performed in Prince Edward and was directed by Harold Prince also starring Elaine Paige as the main character Evita. A man named Patti LuPone thought of the role of Eva on Broadway in which the actress won a Tony Award. Evita became a very successful show which remained in the West End for ten years. He then came to Broadway in 1979. Rice and Lloyd stopped working together after Evita. During a 2011 interview, LuPone accused Lloyd of writing "shit music." So, in 1978, Lloyd Webber began a solo project in collaboration with his brother Julian. He based his work on Paganini's 24th Caprice, the music ended up reaching number two in the UK pop album charts. The theme was used as the same. Theme music from ITV's famous South Bank Show used for its thirty-two years. That same year, Webber also created new musical themes for a documentary series called Whicker's World, which the series used from 1978 to 1980. Lloyd was all the rage on This Is Your Life in November 1980 when he was even more surprised by a man named Eamonn Andrews at Euston Road television studios. Lloyd would be honored again by this television show in November 1994, when a man named Michael Aspel came to see him at the Adelphi Theater. Webber began his next new project without anyone to write his lyrics, so instead he looked into the poetic world of the famous TS Eliot. In 1981, Cats became the longest running musical production in London, running for around 21 years before closing. Also running on Broadway, for 18 years, another record that would later be broken by another Lloyd Webber musical, The Phantom of the Opera. Starlight Express Mad in 1984 was another success, but the music received poor reviews from critics. It had a record run in the West End, but only lasted less than two years on Broadway. The show also toured the United States twice, as well as touring Australian and Japanese productions, and a three-year tour of the United Kingdom, which later transferred to New Zealand in 2009. Webber wrote a music..