The practice of sexual manipulation in cinema is still considered in most modern Hollywood roles attributed to women. The concept of women appearing in films as sexual objects is most helpfully explained in the essay “Visual Pleasure and Narrative Cinema” by feminist theorist Laura Mulvey. For this purpose, to reveal the understanding of Julia Roberts' role in Pretty Woman, Vivian Ward defines herself as a sex symbol. Using Mulvey's psychodynamic approach to visual pleasures and the dominant male gaze. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Cinema offers a variety of potential pleasures defined by the theorist, such as scopophilia and the ego impulse. Scopophilia arises from the satisfaction of using other individuals out of apprehension as a tool for sexual arousal. Furthermore, the ego impulse develops via narcissism and ego reality, which arises from familiarity with the depicted image. Mulvey also manifests the concept of the male gaze which supports the belief that the pleasure of looking has been divided between active men and inactive women. The male gaze imposes its imagination on the female character in the cinema, the woman must remain staring, while the male looks at her like an object of lust. She is sexually objectified by situations in which the woman must be seen by the male. In this argument, she goes much further to suggest that the male gaze manifests itself in three forms: the man behind the camera, male characters in cinema, and male spectators in the crowd. While we acknowledge what is meant by the female gaze, sexual objectification in cinema, by presenting several examples, I will continue to explain how this is represented in Pretty Women. Edward accompanies Vivian to her hotel suite during the opening of the film on their first evening together. She watches a movie while he watches her intimately from a chair. He looks at her if she is an object of desire throughout the following scenes, although Vivian does not understand that she is being looked at. This insight is often constructed through off-camera techniques explicitly sharing Vivian's body entirely, while the lens focuses solely on Edward's face. This is a great case example among productive men and inactive women. Vivian is constantly stared at, even though Edward is the only person looking at her. Examining the image with the male gaze theory in mind, we can mention that the position of the male performer, organized by the visual techniques, is used to construct a male gaze. Another example seems to be the scene in which Vivian, while deciding to shower, hums. Edward, who may be stopping by to get a glimpse of what she's doing, listens to her. The male gaze is quite equal in relation to the image described previously. The camera provides a close-up of Edward's face, while Vivian's entire body is shown. Keep in mind: this is just a sample. Get a personalized paper now from our expert writers. Get a Personalized Essay Once again, the male actor's point of view is influential in how the audience experiences the film. The actress, while the man watches, more and more interested, is inactive and stares fixedly..