A musical, "Sweet Charity," based on the [featured] book by Neil Simon, has won nine Tony Awards since its Broadway premiere on 50 years ago. Originally choreographed and directed by the famous Bob Fosse, the musical centers on the experiences of Charity Hope Valentine, a dance club hostess stuck in the depths of New York City in the 1960s. Subtle feminist motifs emerge throughout the work. The description of Valentine and her friends is expressed in the musical. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essayValentine and her friends must chat, dance, and smile at the "big spenders" at the dance club. The women are captured and objectified by the club's "big spenders", and they dream of escaping these circumstances. However, Charity remains naive about the men she is involved with throughout the musical. The actors enthusiastically portray the individuality of each of their characters. . This is especially true in the dance number “Rhythm of Life,” which ultimately changes the mood into a groovy, trippy scene. Charity continues to perform her own performance among the other talented dancers and singers. Additionally, we continue to see gender dynamics throughout this issue as "Big Daddy" leads the way. As we close out the first act, we're feeling Patti's full throttle. The Garwood Orchestra. The orchestra also perfectly accompanies the big pit dance numbers. The lighting highlights the dancers at their height, reinforcing the dazzling aura desired by the director. I wouldn't consider Valentine "woke" as they say. Although I mentioned how I saw feminist motifs depicted in some scenes, the character of Valentine itself should be considered pre-feminist. At the end of the musical, Charity is pushed into a lake by her boyfriend, Oscar, who ultimately cannot love her back because of her profession. The final scene offers no tangible analysis around sexuality, sex work and/or sex workers which would otherwise make it a profeminist musical. The closing of the play makes it seem like Charity was being punished for wanting to give up her lifestyle for an exclusive relationship with Oscar. The play does not celebrate Charity's promiscuity as an archetypal rebel against the status quo, but rather views her as unworthy of love due to her past with numerous lovers. Keep in mind: this is just a sample. Get a personalized paper from our expert now. writers.Get a Personalized Essay I would recommend this musical to anyone who enjoys upbeat, danceable performances in the style of the 1960s. In this particular performance, Anne Horak plays Charity Hope Valentine and Alex Goodrich plays Oscar Lindquist. Outstanding performances go to Natonia Monet as Hélène and the entire cast. Directed and choreographed by Alex Sanchez and music by Cy Coleman, Sweet Charity runs through October 28 at the Marriott Theater in Lincolnshire, Illinois..