The film “East is East” is based on an autobiographical screenplay by Ayub Khan-Din. It tells the story of a mixed-race Asian family who live in a town in the north of England. The father, Mr. Khan, intends to maintain the traditions of Pakistan, while his children oppose traditions such as arranged marriages with other Pakistani families. It shows the family's struggle to live an ordinary British life while the father strives to bring Pakistani culture to his children. The main themes that run through the story are racial intolerance, teenagers and their need for independence, and the problems of being caught between two different cultures. In this analysis, I will focus on the key features of the cinematic language of lighting, sound, camera and mise-en-scène. A successful introduction to a film should introduce the location in which the film is to take place, the main characters and something about them, and begin to create the atmosphere and mood of the film. To do this, he should use the first camera shots to show the scene. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay Sound can be a very useful tool for creating atmosphere, as can lighting. Showing close-ups of the main characters' faces will introduce them to the audience, give them information about the characters' backgrounds, and give them a first impression of the film's themes. Sometimes a director may want to use the opening sequence to create the illusion that the film has a particular theme or genre, but will later contradict these initial thoughts. The opening sequence of “East is East” begins by showing the audience the area in which the film is to take place. It then moves on to the presentation of a Christian Easter parade with the participation of mixed-race children. It then shows consecutive close-ups of the children's faces. By doing this it shows that they have some relationship. We later find out that they are siblings. The comedic actions of this group indicate to the audience that this film will have an element of comedy, but the problem of sneaking through alleys to avoid contact with their father indicates the culture shock that lasts throughout the film. Lighting is a very effective way to create atmosphere. There are many different lighting techniques that can be used to set the mood. By using only the key lights (KL) and backlights (BL), a sharp contrast between dark and light areas of the screen is created. This forms places and characters that are abnormally lit. This unnatural lighting is called low-key lighting (LK). However, by adding fill lights (FLs), natural-looking environments and characters can be created. This is called high key (HK) lighting. Additionally, lights can be aimed at different locations in the scene and their positions have different effects. Underlighting occurs when the main light source comes from below the subject and can distort the subject. This technique is often used in horror films. Top lighting is the opposite of bottom lighting. With uplighting, the main light source comes from above the subject. This highlights features that can create a glamorous look. Finally, there is the backlight. In backlighting, the light source comes from behind the subject. If there are no other light sources, the subject will be seen only as a silhouette. The opening sequence of "East is East" was filmed on location in order tobenefit from natural light to start. However, the lighting needed to be improved. Therefore, key lights, backlights, and fill lights would all have been used. The lighting, being natural, is high-key. Being out of the light would come from all around the characters. The effect of these lighting techniques is that the audience can clearly see that the parade is taking place outside and because the stage still has a dull lighting effect, the audience can interpret that it is a town in the north of England around the town.Easter period. The director's choice of lighting techniques helps determine the audience's feelings about the film. If the wrong technique is used, the necessary suspense or desired effects may be lost and the film may not be as successful as desired. Sound is another crucial area of ​​the film. This has a huge influence on the public. Music can create tension and suspense that prepares the viewer for something to happen or misleads them into thinking something is going to happen when in reality it is just a red herring. Sounds that actually come from the cinematic world and that the audience sees create believable environments and events. There are two main categories of sounds used in films. These are diegetic and non-diegetic. These are two essential elements in constructing an effective film. Diegetic sounds are those that the audience will know are coming from the world they are watching. For example, a scene of children playing in a park might show other people talking, dogs barking, and toys being played with. Whereas non-diegetic sounds belong to the cinematic world that the audience is watching. These are elements like soundtracks that have been placed with the diegetic sounds to enhance the effect and emotions of the viewer. A director has the choice of different types of soundtracks to use. One would be contrapuntal and the other parallel. They both have different effects. Contrapuntal music is when the music doesn't match what we can see. For example, a major battle scene might have very calm music. This can create a mix of emotions. Parallel music is when the music corresponds to what the audience can see. An example of this would be a love scene with passionate music to emphasize the feelings the characters have for each other. Continuity in the film is vital. If the scenes don't come together, the film can't be effective. To help the scene connect, sound bridges are used. When you turn off a street and enter a building, sounds from outside persist until you close the door or walk away. In the film, the sound that remains is a sound bridge. Music can also be a sound bridge, continuing or fading as scenes change. A variety of these techniques are used in the opening sequence of "East is East". First there is non-diegetic sound which is parallel music. It is parallel because the singer sings a marching band while the audience watches a parade with a marching band. This helps show that it is a celebratory parade. Second, there are several different diegetic sounds, ranging from clapping and people walking or marching to whistling and dialogue. This creates a more believable world that brings the viewer into the environment so they feel like they are part of the action. The only sound bridge is the non-diegetic music that fades from the end of the parade scene to one of the house boys following. This mixes the two scenes so that thepublic can say that this boy was part of the parade. Sound can create tension and have other effects on the film that could not be achieved otherwise. The sound bridges bring the film together and make it complete. All types of sounds create a world that viewers can believe in and feel apart of. The overall sound is crucial to the final feel of the film. The use of the camera is essential in manipulating the audience's desired response to the action of the film. This can cause the viewer to focus on specific areas and the angle can suggest certain emotions. For example, if the camera is looking through a character's eyes and cuts to a long distance rolling shot, this suggests that the character is experiencing dizziness because they are afraid of heights. In early films, the camera did not have the ability to move or change its focus. There are now a range of camera movements that can ensure the viewer's attention is directed to the focal point of the film. There are two main groups of shots. These are close-ups, medium shots and long shots. There are four different types of close-ups. These are extreme close-ups, close-ups, close-ups and medium close-ups. They all have different effects. Extreme close-ups only show the person's face. Large close-ups show a little more of the person's head. Close-ups show the entire face and head and begin to show some backgrounds. Finally, a support closes the screens to the audience from the head to below the shoulders. One thing the first three all have in common, and which the medium close-up doesn't show, is a certain intimacy with the character. However, they all display the subject's facial expression. There is an expression that says “the eyes are the window to the soul”. By showing the eyes so close, the audience can see the emotion in his eyes. In addition to camera zoom shots, there are seven special types of shots. The first four concern the content of the frame, while the second group of three examines the camera angle. First, there is a double whammy. Both shots show two people and can be either a close-up, a medium shot, or a medium shot. Over the shoulder shots are taken when the camera is looking at the subject over another's shoulder. Then there is the photo of the interviewee which shows a person looking and speaking into the space inside the frame, which is in the direction of the interviewer. And finally the photo of the moving subject. This shows the subject walking through space. The camera angle can suggest certain emotions and feelings. The first camera angle is a tilted frame. This is simply the camera turned at an angle. Low angle shots show the camera being lower and looking down at the subject. It suggests power and authority. And finally, there is the high angle shot. This looks down on the subject and can often be hung from a crane, implying fragility and weakness. Camera movement can ensure that our attention, as an audience, stays on the appropriate image. There are six different camera movements that can be used to do this. They also have different effects. A panoramic shot is the camera moving sideways from a fixed axis. A tilt shot is very similar to a pan shot, but instead of moving sideways, the camera tilts up and down relative to its fixed axis. When a camera is mounted on a crane, we call it a crane shot. A tracking shot is when the camera follows the action while moving on tracks that have been drawn for this purpose. A plan.