Nowadays, many new jazz albums are released every year, purchased by different artists, new and old. But there is one that has been ranked as one of the greatest jazz albums of all time, the one that no one can forget to listen to since the first time, and that is “Kind of Blue”. The album was released in 1959 by Miles Davis, an American jazz artist, also known as a trumpeter. Say no to plagiarism. Get a custom essay on "Why Violent Video Games Should Not Be Banned"?Get the original essayMiles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is one of the most influential and acclaimed figures in the history of jazz and 20th century music. Davis had a nearly fifty-year career, beginning as a member of saxophonist Charlie Parker's bebop quintet from 1944, until the day of his passing he was always a person with the greatest enthusiasm for jazz music. As a teenager, instead of continuing his education, Davis was more concerned with his career as a musician in a band. Davis made some of his first recordings in 1945, although Miles was not as developed at that time, his style was already easily recognizable and distinguished. On August 17, 1959, he released "Kind of Blue", with his ensemble sextet, the album which moved further away from the hard bop jazz style of his previous works. "Kind of Blue" was recorded on March 2 and April 22, 1959 at Columbia's 30th Street Studio in New York, and released on August 17 of that year by Columbia Records, now known as Sony. It was performed by tenor saxophonist John Coltrane, alto saxophonist Julian 'Cannonball' Adderley, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb, with pianist Bill Evans appearing on most tracks. All players were to have legendary careers, but it was Coltrane who took Miles' modal model and went the furthest, with spectacular results. No other jazz recording has come close to acquiring the kind of cachet that “Kind of Blue” has accumulated over the decades. It is an album that has probably been responsible for more conversions of non-believers to the jazz faith than any other, it has been the base station from which countless fans began their journey to jazz and c It's an album that pops up in the record collections of classical, rock, pop, country and western enthusiasts who otherwise wouldn't give a place to house jazz. The first track on the album is "So What", the standard modal jazz song, and I paid attention to the lightness, space and relaxed structure in which an improvised instrument can breathe, I can feel Coltrane moves effortlessly with this tenor. saxophone. This framework is the genius of Miles Davis and the exquisite performance of Bill Evans on the piano. The second piece, "Freddie Freeloader", is a much simpler Blues piece, but it is stunning, and I can really hear how much pianist Wynton Kelly enjoyed it, providing excellent music for all the soloists. Cannonball made the most of the changes, with a few phrases coming out in a rumbling growl. Bill Evans is the star of Blue in Green, and anchored by a commanding bassline, he produces a sound of devastating subtlety, which Miles and Coltrane solo in a whisper. The third track is “Blue In Green”, composed by Miles Davis and Bill Evans. Evans opened with a short introduction, followed by Davis' solo. Using a Harmon mute, his horn was to me like a wounded lover in the night. Evans offers an interlude..