Talking Heads was formed in 1975 by David Byrne and Chris Frantz, who had recently left the Rhode Island School of Design to pursue music careers in New York. Their art school training was instrumental in creating their unique sound, drawing on elements and processes employed by visual artists. Such techniques set the band apart from popular '70s punk music, offering a less abrasive, yet strangely accessible sound. Shortly after the band formed, they recruited Frantz's girlfriend, Tina Weymouth, to play bass. Say no to plagiarism. Get a tailor-made essay on "Why violent video games should not be banned"?Get the original essayTalking Heads was first performed publicly in June 1975 at a club called CBGB's, known for featuring punk music, notably the Ramones. Although reactions to their avant-garde music were mixed, all three members felt they had enough support to continue pursuing such a style. In a 1978 interview, Weymouth said the members did not feel the need to "change our style to become more commercial". In 1976, a year before signing with Sire Records, the band invited Jerry Harrison to play keyboards, cementing their distinctive sound. After signing their contract with Sire Records, Talking Heads released their debut album, titled Talking Heads: 77. In a Rolling Stone magazine review in November 1977, Stephen Demorest described the album as "an absolute triumph" (Demorest) . The track "Psycho Killer" was particularly popular and charted on the Billboard Top 100 in 1978. For the next three years, the group collaborated with former Roxy Music member Brian Eno to release a new album each year : More Songs. About Buildings and Food (1978), Fear of Music (1979) and Remain in Light (1980). The relationship between Eno and Byrne, while beneficial to their artistry and music, ultimately resulted in much tension regarding discussions of artistic matters. management and credit. Their debut album offered consumers a very unique sound. Minimalist melodies highlight each instrument, and Byrne's wiry, deep vocals complement the avant-garde sound. The tracks follow the hit formula of the sixties, but unexpectedly diverge into digressions to surprise the listener. Talking Heads have achieved a unique balance of accessibility and experience that has allowed them to appeal to the popular music consumer like no other group could. Talking Heads: 77 addressed feelings such as "the disorientation of love, decision-making, ambition and the need for selfishness". In the three albums that followed, producer Brian Eno reinforced the experimental aura of the group's music by bringing his "ambient music" style to the record. The band embraced the new wave sounds of the 80s and offered an alternative to the punk phenomenon – managing to retain their educated mindset without seeming artificial to listeners. Weymouth once described the band's attitude toward their music by saying, "If you're really doing something that you believe is good, you've just got to keep doing it, whether you succeed or not." If you succeed, that's just great. But we would continue to do it anyway. "It was this attitude that saw the band achieve success from their first gig at CBGB. While the band was touring in the early '80s, they released three more albums – two of which were live recordings, The Name of This Band Is Talking Heads (1982) and Stop Making.. 2002.