When a transcription of Cardenio emerged and was quickly labeled Shakespeare's 'lost play', many critics and scholars shook their heads head in unified disagreement while others immediately became interested in analyzing its content. Over the years, many have agreed that it is in fact one of Shakespeare's lost plays, as have those who dismiss it as someone trying to reproduce Shakespeare and thus capitalize on this respected and appreciated style. Regardless, particular attention must be paid to the flawed ways in which Cardenio treats the context of Shakespeare's later works, the language and style, the characters and setting, which when examined , weaken any claim that Cardenio was actually written by the world writer. most famous playwright himself. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Shakespeare's later plays, which include Pericles, Cymbeline, The Winter's Tale, and The Tempest, are all notable for their distinctive features shared to varying degrees. all. They all, with the exception of The Tempest who stays in a single setting, have scenes in many locations and countries, and their events take place over a long period of time. The Winter's Tale, for example, goes from Sicily to the Bohemian coast, then back to Sicily and finally to Paulina's house in the countryside, all in the middle of a sixteen year time jump in the middle of the play . Cymbeline follows its characters on a long journey through Britain and Italy, showing the passage of time through the characters' changing ages, and Pericles finds its setting in half a dozen different kingdoms. Shakespeare, at this time, clearly had an attraction to movement and settings. He was particularly interested at this time in giving his characters space to run, which was not the case in his earlier works or especially Cardenio, which was said to have been written by Shakespeare during his later period . If one were to argue that Cardenio is in fact a work of Shakespeare, it should be noted that the movement theme is not present. Cardenio has a single parameter and does not have a feeling of relapse over time. Although several houses are depicted, many settings are repeated throughout the play. Consequently, Cardenio lacks the depth of setting that is so essential to Shakespeare's later works. As an interpreter of the language of Shakespeare, one must pay close attention to the style and language used by Shakespeare. In The Winter's Tale the play is mostly blank verse with some prose, the only rhyme being the speech of Time and the songs. The style, in the most emotional passages, is accentuated. It becomes grandeur, sometimes wild, inflated. It is also more concentrated, rapid, varied and less regular in its construction. It is neither easy nor lucid and is sometimes obscure in the most ordinary dialogues. On the other hand, it is always full of life and movement, and in most of the dramatic passages it produces sudden, strange and electrifying effects. For example, in the shepherd's speech about Doriculus: "...for I never looked at the moon / On the water while he will stand and read / Like my daughter's eyes: and, to be clear, / I think there is not a half-kiss to choose / Who loves another better” (IV, IV, 99). Although mostly in blank verse, the language does not lose its lyrical charm that Shakespeare loves to use so much. The unity of the story.